Annalie van Doorn is a Dutch fashion designer and artist whose work is defined by a dynamic play from 2D abstract shapes to 3D sculptural silhouettes and prints.

Born in Ede, the Netherlands, she developed an early interest in both marine biology and fashion, a duality that continues to inform her practice. Driven by curiosity, she has travelled extensively across Asia, South and Central America, and Japan, where engagement with local communities and craft traditions shapes her research-led approach.

Craftsmanship and sustainability are central to her work, with collections primarily developed through upcycling and the use of natural and waste materials. Her practice examines systems of value, inviting a reconsideration of consumption, material worth, and production, while contributing to a broader dialogue on sustainability, craftsmanship, and the future of materials.

A graduate of the Royal Academy of Art, The Hague (2023), her collection Après nous, le déluge was a homage to her grandmother’s extravagance, exploring the psychological impact of status in the West in contrast to differing systems of value

Van Doorn was a finalist at LICHTING and BIAAF, and her work has been presented at Amsterdam Fashion Week and featured in Vogue. During her internship at BOTTER, she contributed to the development of key silhouettes for the Spring/Summer 2023 collection.

She was awarded the L-AIR Artist in Residence in Japan, where she researched traditional leather-making techniques and developed new work centred on value, sustainability, and craftsmanship.

Her work continues to evolve through the development of new collections, collaborations, and exhibitions.